Janette Laverrière, LA COMMUNE, hommage à Louise Michel, 2001; courtesy: Silberkuppe, Berlin
photo credits: Nick Ash
Janette Laverrière, LA COMMUNE, hommage à Louise Michel, 2001; courtesy: Silberkuppe, Berlin
photo credits: Nick Ash
Danh Vo, 2.02.1861 - 2009, writing by Phung Vo — (Last letter of St. Jean Théophane Vénard to his father before he was decapitated, copied by Danh Vo’s father, Phung Vo. Each handwritten text arrives in an envelope mailed by the artist’s father directly to the buyer) courtesy: the artist and Stefania Morellato and Emilio Giorgi; photo credits: Nick Ash
Danh Vo, 2.02.1861 - 2009, writing by Phung Vo — (Last letter of St. Jean Théophane Vénard to his father before he was decapitated, copied by Danh Vo’s father, Phung Vo. Each handwritten text arrives in an envelope mailed by the artist’s father directly to the buyer) courtesy: the artist and Stefania Morellato and Emilio Giorgi; photo credits: Nick Ash
Danh Vo, 2.02.1861 - 2009, writing by Phung Vo — (Last letter of St. Jean Théophane Vénard to his father before he was decapitated, copied by Danh Vo’s father, Phung Vo. Each handwritten text arrives in an envelope mailed by the artist’s father directly to the buyer) courtesy: the artist and Stefania Morellato and Emilio Giorgi; photo credits: Nick Ash
Nairy Baghramian, Slip of the Tongue, 2015 — courtesy: the artist and Marian Goodman Gallery; photo credits: Nick Ash
Nairy Baghramian, Slip of the Tongue, 2015 — courtesy: the artist and Marian Goodman Gallery; photo credits: Nick Ash
Nairy Baghramian, Slip of the Tongue, 2015 — courtesy: the artist and Marian Goodman Gallery; photo credits: Nick Ash
Nairy Baghramian, Slip of the Tongue, 2015 — courtesy: the artist and Marian Goodman Gallery; photo credits: Nick Ash
Nairy Baghramian, Slip of the Tongue, 2015 — courtesy: the artist and Marian Goodman Gallery; photo credits: Nick Ash
Heinz Peter Knes, Display, 2012; Simone, 2005 — courtesy: the artist and Silberkuppe, Berlin — photo credits: Nick Ash
Heinz Peter Knes, Display, 2012; Simone, 2005 — courtesy: the artist and Silberkuppe, Berlin — photo credits: Nick Ash
Heinz Peter Knes — Turkish room, 2014; HA-E-068 (Hannah Arendt’s Library), 2012 — courtesy: the artist and Silberkuppe, Berlin — photo credits: Nick Ash
Heinz Peter Knes — Turkish room, 2014; courtesy: the artist and Silberkuppe, Berlin — photo credits: Nick Ash
Heinz Peter Knes, HA-E-068 (Hannah Arendt’s Library), 2012 — courtesy: the artist and Silberkuppe, Berlin; photo credits: Nick Ash
Heinz Peter Knes, After Contessa di C., 2013; courtesy: the artist and Silberkuppe, Berlin; photo credits: Nick Ash
Heinz Peter Knes, David’s past, tempted to call it a landscape, 2012; courtesy: the artist and Silberkuppe, Berlin; photo credits: Nick Ash
Heinz Peter Knes, At the temple of good harvest, 2014; courtesy: the artist and Silberkuppe, Berlin; photo credits: Nick Ash
Heinz Peter Knes, The prince’s collection, Weimar, 2014; courtesy: the artist and Silberkuppe, Berlin; photo credits: Nick Ash
←
→
with thanks to
Basilica di San Marco
Milan
Don Luigi Garbini
Nairy Baghramian
Heinz Peter Knes
Janette Laverrière
Danh Vo
Marian Goodman
Gallery, New York
Parigi – Londra
Silberkuppe,
Berlin
Stefania Morellato
and Emilio Giorgi
Lilia Di Bella
artache
Graziella Bertolini
Marta Lusena
Stefania Morellato
Brera Design District
n’ombra de vin
Sacristies always play a dual function: storing sacred furnishings, objects and books; and acting as a kind of membrane, an isolated place which allows the priest to perform the necessary preparation before worship. They are spaces which are out of bounds to lay people. One cannot directly access the place of worship, but prepares oneself for it in the vestibule. The sacristy is therefore a place in which the ‘formulas’ of worship are prepared: where clergymen gather the material and spiritual elements which they will use during the administration of the sacraments.
milan
BASILICA DI SAN MARCO
MONUMENTAL SACRISTRY
6 — 18.04.2016
Formula
Nairy Baghramian
Heinz Peter Knes
Janette Laverriere
Danh Vo
Within a space dedicated to sacramental ‘formulas’, artache with FORMULA show the practices and the philosophies, the objects and the words, the matter and the memory which constitute the ‘formulas’ of some of the most important figures of the contemporary art scene.
Credits for artists / photographers and other rightholders have been duly indicated. Should this not be the case, please do let us know. Thank-you.
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