A close relationship exists between the world of art and that of the sacred. Pauses has shown this. Not in an authoritative nor confessional way, but in an analogy:

that is, by means of the combination of heterogeneous elements from visual arts, music, dance and the world of words. The scenario is a monument of a religious

and civil civilisation, transformed into an enveloping container of finds: evocations and provocations.

 

Milan Cathedral

 

pause 2006

 

07.06.2006

We are fascinated by the freedom of numbers and the power collected in a cascade of conventional signs. In the meantime, two harps almost embrace each other. The rhythm is dictated by the mood of Adelaide: a girl created by Tatsuo Miyajima who submerges her head repeatedly in a white liquid. All foreseen by Baruch Spinoza: the triumph of Joy. For everyone.

 

 

with thanks to

 

Duomo di Milano

Mons. Luigi Manganini

Arciprete

 

Veneranda Fabbrica

del Duomo

 

main sponsor

 

Provincia di Milano

 

 

LOTTOMATICA

 

ENEL

 

KPMG

 

ZERO

Media Partner

 

 

Stefano Bonaga

Tatsuo Miyajima

Karlheinz Stockhausen

 

scenographic design

Paolo Gualdi

Le Grandi Immagini

Allestimenti scenografici

e tecnici

 

graphic design

Archive Appendix

Chiara Figone

 

photo

Claudio Abate

 

artistic director

Don Luigi Garbini

 

artache

Graziella Bertolini

Stefania Morellato

Luisa Bonucci

Le Bourgeois

music

Karlheinz Stockhausen

FREUDE (JOY)

Zweite Stunde aus KLANG, Die

24 Stunden des Tages / 2nd hour of

KLANG (SOUND), The 24 Hours

of the Day für 2 Harfen / for 2 harps

 

Marianne Smit

Esther Kooi

 

An artache commission

for Milan Cathedral

a world première in the Cathedral

07.06.2006

word

Baruch Spinoza, Ethica |

Stefano Bonaga

 

video

Tatsuo Miyajima

Counter Voice in Milk

(Adelaide Version)

 

 

Esiste un rapporto stretto tra il mondo dell’arte e quello del sacro. Pause l’ha mostrato. Non in modo didascalico né confessionale, ma analogico: mediante cioè l’accostamento di elementi eterogenei provenienti dalle arti visive, dalla musica, dalla danza e dall’universo delle parole. Lo scenario, un monumento di una civiltà religiosa e civile, trasformato in avvolgente contenitore di reperti: evocazioni e provocazioni.

Credits for artists  / photographers and other rightholders have been duly indicated. Should this not be the case, please do let us know. Thank-you.

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