MILAN
Duomo Scurolo di
San Carlo Borromeo
2005
Via Dolorosa, 2002
Mark Wallinger
A projected video installation showing us the last act of the Easter story: the condemnation of Christ and his death on the cross. The ‘story’ is that told by Zeffirelli in his Jesus of Nazareth, but it is obliterated by, or rather ‘framed’ within, a black filter which shuts out 90% of the image. Not to the extent however, that we can’t make out the screaming mob, surrounding Christ and his crown of thorns: the cross and the final drama.
Mark Wallinger, Via Dolorosa (2002); permanent installation, Milan Cathedral, 2005 © artache;
Courtesy the artist and Hauser & Wirth © Mark Wallinger; Città metropolitana di Milano; Photo: Claudio Abate
Mark Wallinger, Via Dolorosa (2002); permanent installation, Milan Cathedral, 2005 © artache;
Courtesy the artist and Hauser & Wirth © Mark Wallinger; Città metropolitana di Milano; Photo: Claudio Abate
Mark Wallinger, Via Dolorosa (2002); permanent installation, Milan Cathedral, 2005 © artache;
Courtesy the artist and Hauser & Wirth © Mark Wallinger; Città metropolitana di Milano; Photo: Claudio Abate
stained glass of the Cathedral; Mark Wallinger, Via Dolorosa; permanent installation, Milan Cathedral, 2005 © artache; Photo: Claudio Abate
Mark Wallinger, Via Dolorosa (2002); permanent installation, Milan Cathedral, 2005 © artache;
Courtesy the artist and Hauser & Wirth © Mark Wallinger; Città metropolitana di Milano; Photo: Claudio Abate
Mark Wallinger, Via Dolorosa (2002); permanent installation, Milan Cathedral, 2005 © artache;
Courtesy the artist and Hauser & Wirth © Mark Wallinger; Città metropolitana di Milano; Photo: Claudio Abate
Mark Wallinger, Via Dolorosa (2002); permanent installation, Milan Cathedral, 2005 © artache;
Courtesy the artist and Hauser & Wirth © Mark Wallinger; Città metropolitana di Milano; Photo: Claudio Abate
stained glass of the Cathedral; Mark Wallinger, Via Dolorosa; permanent installation, Milan Cathedral, 2005 © artache; Photo: Claudio Abate
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Via Dolorosa, Projected video installation, continuous loop, black rectangle painted on wall
18 minutes, 8 seconds
The architecture of the place suggests the artist how to move. Two floors, two worlds.
The first one that appears through the large Gothic light sockets made from the idea of space, which transform the great chapters in the history of salvation in patches of color. The second one that disappears under the presbytery built by Charles Borromeo as a new center of the space; a world that comes to the surface little by little, again through patches of color, fragments, shreds this time of the last chapters of the same story.
with thanks to
Milan Cathedral
Mons. Luigi Manganini
Archpriest
Don Luigi Garbini
Veneranda Fabbrica
Provincia di Milano
Daniela Benelli
Councillor of Culture
Mark Wallinger
Hauser & Wirth
video setup
Omero Porta
photo
Claudio Abate
artache
Graziella Bertolini
Stefania Morellato
Credits for artists / photographers and other rightholders have been duly indicated. Should this not be the case, please do let us know. Thank-you.
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